This week we were asked to view a TED Talk that was done by Itay Talgam (2009). We are to interpret his talk through the lens of what we have learned about leadership so far, and how his thoughts on conductors compares to the theories we have read about. It seems important to understand the role of a conductor in the first place. My personal experience, as a saxophone player in the school band, was that conductors are teachers and are to be obeyed without exception. In a professional setting, they are truly leaders. They guide the orchestra through the music and must maintain an appropriate amount of control over the individual artists, in order for their effort as a team to sound right.
Talgam names, describes and provides examples of, five different conductors. My first interpretation of his remarks was though the situational leadership approach described by Northouse (2018). The first conductor, Muti, is an extreme case of a directive leader. His technique is very severe, which apparently matches his personality; he was asked to resign in 2006, by every member of La Scala. The musicians felt stifled, as though they were not allowed to demonstrate their own artistic expressions. Next, Talgam shows us Kleiber conducting a couple pieces. Kleiber is a good example of a supporting or coaching leader. His technique shows the orchestra members when they are doing well and also corrects them when they make a mistake. He leaves room for individual artistic interpretation, while keeping them together as a team. Talgam didn't just show us good examples, though. When he shows a clip of Strauss, I think of a poor example of a supporting leaders. He looks uninterested and unaffected by the music. Strauss fails to provide any change in technique that might give feedback to his team (orchestra).
The next conductor we're shown is Bernstein. He is a good example or a mix between supporting and delegating. Talgam shows us two clips and in one Bernstein barely moves. His emotions are shown, but he doesn't move his hands at all. He has delegated the piece to his team, while still providing feedback. While I couldn't imagine watching Strauss for very long, I feel like I could watch Kleiber and Bernstein for quite some time. They seem to truly enjoy their work and the product (music). Karajan is another conductor that Talgam shows us a clip of. To me, this is an example of poor delegation. Karajan closes his eyes and just moves his hands in a non-descriptive manner. This leaves the piece in the hands of the musicians, but without the necessary feedback to keep things on track. He's given over control, while also making their jobs harder.
If I were to reach a bit more, connecting Talgam's remarks to the theories we've learned, I would say that Kleiber's interactions with his orchestra demonstrate the Leader-Member Exchange (LMX) Theory. The way he interacts with individuals inside the team, seems to reflect the role that theory plays in determining the performance of his musicians. Over all, this was an interesting exercise is relating leadership theories to unconventional professions.
Reference
Talgam, I. (2009).
Itay Talgam: Lead like the Great Conductors [Video File]. Retrieved from https://www.ted.com/talks/itay_talgam_lead_like_the_great_conductors?language=en
Northouse, P. (2018). Leadership: Theory and Practice 8th ed. SAGE Publications. Kindle Edition.